Near the Village of Villa, 2021 © Alan McFetridge

Antiquity in the Pyrocene

From August to September 2021 and again in 2023, I travelled to the Attica region in Greece during the peak of the fire season. I had no plan or concept of what to do, but I carried a book of poems titled "In Fires of No Return" by James K. Baxter to help me navigate the troubled Greek landscapes and discover the role of landscape fire today.

Background
While the annual fire season of the northern hemisphere dominates news media in the UK, Greece's fires receive more coverage than other nearby fire-affected regions such as Turkey or the Balkans. It raises the question of whether the situation is worse in Greece, or if Greek Antiquity makes the fires there more emotive and cathartic.

The dynamic adaptation of landscape fires to their surroundings and circumstances is closely tied to human history. Our evolutionary development of having small stomachs and large brains started when early hominins began cooking food and shaping the landscape with fire. As we acquired the ability to shape the environment with fire, we, in turn, were shaped by it. Mythology also includes various accounts of fire theft. For instance, in Polynesian myth, Māui is said to have stolen fire. In Cherokee myth, after Possum and Buzzard failed to steal fire, Grandmother Spider used her web to sneak into the land of light and steal fire, hiding it in a clay pot or silk net. In Europe, Prometheus stole fire and gave it to humanity.

 
 

Above: The scale of two Attica fires can seen from Space, they ignited between 8 and 28 August. Athens appears grey, with Green biota red and burn scars in dark brown. Images courtesy of ESA and CEP.

 

Songs of the Dead | Upcoming Monograph

As the planet heats, fires will worsen as a result of anthropogenic climate change.

To explain the complexity I found in the aftermath at Fort McMurray’s Horse River Wildfires of 2016, this monograph has been forming away on the studio walls for over five years with a range of iterations which are becoming realised. It includes a range of collaborators and therefore layers and facets which I believe has created a rounded view on this fire.

If you would like to support Songs of the Dead you can become a patron on Patreon

You can read a more detailed blog post by Antoinette Johnson, here.

Left: The prologue On The Line is available for purchase in our online shop.

 
 

Songs of the Dead | Features

*Prints are 152.5cm x 187cm including rebate.

Exhibition Details, 2019

Wedge Gallery, Sydney

 
 

Fire Lines, 2019 © Alan McFetridge

Being Part of The [Fire] Conversation


You can read more about Alan’s collaboration with the Indigenous Stakeholders and the Science Community in Australia.

 

For further information on this project please contact the Studio

All images © Alan McFetridge